The Oxford Handbook of New Audiovisual Aesthetics

John Richardson

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The Oxford Handbook of New Audiovisual Aesthetics

The Oxford Handbook of New Audiovisual Aesthetics This handbook offers new ways to read the audiovisual In the media landscapes of today conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals producin

  • Title: The Oxford Handbook of New Audiovisual Aesthetics
  • Author: John Richardson
  • ISBN: 9780199733866
  • Page: 116
  • Format: Hardcover
  • This handbook offers new ways to read the audiovisual In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals producing the range of phenomena from movie blockbuster to YouTube aesthetics Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainmeThis handbook offers new ways to read the audiovisual In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals producing the range of phenomena from movie blockbuster to YouTube aesthetics Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones The audiovisual environment of everyday life, too from street to stadium to classroom would at times be hardly recognizable to the mid twentieth century subject The Oxford Handbook of New Audiovisual Aesthetics provides powerful ways to understand these changes.Earlier approaches tended to consider sound and music as secondary to image and narrative These remained popular even as practices from theater, cinema and television migrated across media However, the traversal, or remediation, from one medium to another has also provided practitioners and audiences the chance to rewrite the rules of the audiovisual contract Whether viewed from the vantage of televised mainstream culture, the Hollywood film industry, the cinematic avant garde, or the participatory discourses of cyberspace, audiovisual expression has changed dramatically.The book provides a definitive cross section of current ways of thinking about sound and image Its authors leading scholars and promising younger ones, audiovisual practitioners and non academic writers both mainstream and independent open the discussion on audiovisual aesthetics in new directions Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre based, auteurist, internationalist, reception focused, technological, and cultural approaches to questions concerning today s sound and image All consider the aural dimension, and what Michel Chion calls audio vision the sensory and semiotic result of sound placed with vision, an encounter greater than their sum.

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