A Page of Madness: Cinema and Modernity in 1920s Japan

Aaron Gerow

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A Page of Madness: Cinema and Modernity in 1920s Japan

A Page of Madness Cinema and Modernity in s Japan Kinugasa Teinosuke s film A Page of Madness Kurutta ichipeiji is celebrated as one of the masterpieces of silent cinema It was an independently produced experimental avant garde work from Ja

  • Title: A Page of Madness: Cinema and Modernity in 1920s Japan
  • Author: Aaron Gerow
  • ISBN: 9781929280520
  • Page: 186
  • Format: Paperback
  • Kinugasa Teinosuke s 1926 film, A Page of Madness Kurutta ichipeiji , is celebrated as one of the masterpieces of silent cinema It was an independently produced, experimental, avant garde work from Japan whose brilliant use of cinematic technique was equal to if not superior to that of contemporary European cinema Those studying Japan, focusing on the central involvemenKinugasa Teinosuke s 1926 film, A Page of Madness Kurutta ichipeiji , is celebrated as one of the masterpieces of silent cinema It was an independently produced, experimental, avant garde work from Japan whose brilliant use of cinematic technique was equal to if not superior to that of contemporary European cinema Those studying Japan, focusing on the central involvement of such writers as Yokomitsu Riichi and the Nobel Prize winner Kawabata Yasunari, have seen it as a pillar of the close relationship in the Taish era between film and artistic modernism, as well as a marker of the uniqueness of prewar Japanese film culture.But is this film really what it seems to be Using meticulous research on the film s production, distribution, exhibition, and reception, as well as close analysis of the film s shooting script and shooting notes recently made available, Aaron Gerow draws a new picture of this complex work, one revealing a film divided between experiment and convention, modernism and melodrama, the image and the word, cinema and literature, conflicts that play out in the story and structure of the film and its context These different versions of A Page of Madness were developed at the time in varying interpretations of a film fundamentally about differing perceptions and conflicting worlds, and ironically realized in the fact that the film that exists today is not the one originally released Including a detailed analysis of the film and translations of contemporary reviews and shooting notes for scenes missing from the current print, Gerow s book offers provocative insight into the fascinating film A Page of Madness was and still is and into the struggles over this work that tried to articulate the place of cinema in Japanese society and modernity.

    • Best Read [Aaron Gerow] è A Page of Madness: Cinema and Modernity in 1920s Japan || [Classics Book] PDF ↠
      186 Aaron Gerow
    • thumbnail Title: Best Read [Aaron Gerow] è A Page of Madness: Cinema and Modernity in 1920s Japan || [Classics Book] PDF ↠
      Posted by:Aaron Gerow
      Published :2018-05-07T01:33:28+00:00

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